By
Steven McLaughlin, author of Clubland UK and Squaddie
Shaun
Attwood is one of life's gifted people. When he was young his gift was for
numbers. Now he is older that gift has been supplanted by a gift for words. But
it is a gift that has been well earned and paid for, in losses of freedom and
opportunity that most of us can scarcely imagine. And the gift that he has to
offer in the telling of his tale is one that we'd be wise to seize and ponder -
because his gift is a lesson to us all.
Party
Time is a book that succeeds on many levels and Shaun Attwood is a writer of
brilliance, wit and sensitivity. He is an outstandingly gifted raconteur and
his ability to portray human emotion stretched taut as piano wire, caught up in
a nightmare of spiralling drug addictions and Faustian pacts with deranged,
tragicomic gangsters, is a bittersweet joy to behold. His writer's voice slips
effortlessly from observational, to conversational, to stream of conscious -
and never once does he lose we the reader. Shaun takes us on a roller coaster
ride of desperate highs and lows, which veer from rocket-fuelled joy to
slow-motion car-wreck, as his glittering Las Vegas lifestyle burns out in
merciless desert heat - an apex predator turned roadkill, scorched into the
sands. If ever a cautionary tale was written then this is it.
Laced
with warmth and humanity, Party Time is more than just a crime tale; it's a
story of friendship, innocence lost, the ties that bind and riches that blind.
Underpinning the drama is Shaun's touching and at times misguided sense of
responsibility towards his man-child enforcer and childhood protector `Wild
Man' - an earthy force of nature who is as physically powerful and destructive
as a Mid-West typhoon. Their shared loyalty is an unbreakable, almost
telepathic bond that carries dangers in itself - the one area in which Shaun's
razor sharp intellect fails him.
When
Wild Man trips out so far that he baits infamous Mafioso `Sammy the Bull'
Gravano as a `Plastic Gangster' and actively seeks out violence with his crew
it is an unintentionally hilarious - but incredibly perilous - crisis for Shaun
to damage control and mediate back to peace. And yet he does - time and again
using his instinctive gifts to bail out his bear-like pal from all manner of
situations. Wild Man rewards Shaun's care with an utterly fearless and
unswerving devotion; he is Shaun's not-so-secret weapon and is able to resolve
almost any situation by the mere fact of his presence and his aura of a man
that is prepared to go to any lengths to protect his friend - even at the cost
of himself. As Wild Man succinctly puts it: “you're the brains and I'm the
brawn la.” There is never a second's doubt that each man will come through for
the other - be it with cash, muscle, a helping hand or a helping fist.
The
mental image of these two fiercely bonded Englishmen and their eccentric
friendship conquering America's notoriously tough drug scene is one that
lingers in the mind long after reading - it is an image that was made for the
movies and belongs on the big screen. I look forward to seeing that happen.
If
you've ever been involved in clubland and heard the distant wail of blue
flashing lights, the close din of rushing boots, the breaking of a bottle, or
the harsh utterance of guttural threats and known that `they' are coming for
you, then Party Time will resonate like a pounding drum machine. And if you
haven't then you'll certainly learn something about what goes on at the
business end of the rave equation - behind the dancing and the getting high.
Click
here for Party Time’s webpage and Amazon links, including chapter 1: http://shaunattwood.com/index.php?option=com_content&view=article&id=120&Itemid=119
Click
here for Party Time on Facebook: https://www.facebook.com/pages/Party-Time-Shaun-Attwood/211408465606796?ref=hl
Click
here for the first review of Party Time by journalist Mike Peake: http://jonsjailjournal.blogspot.co.uk/2013/04/first-review-of-party-time.html
in failures of independence and chance that most of us can hardly think about. And the present that he has to provide in the informing of his story is one that we'd be sensible to take and wonder - because his present is a session to us all.
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